The In-Between poster
THE IN-BETWEEN

Cinematic. Natural. Intimate. Timeless.

The In-Between captures the emotional, psychological, and spiritual lives of people who once held power, purpose, or public visibility — and now live in stillness.

A poetic, intimate documentary exploring what happens to once-visible, high-achieving individuals after they step away from the careers that defined them. Through daily routines and quiet reflection, the film examines how identity, meaning, and purpose evolve in the space between legacy and mortality.

The world celebrates
success and legacy…

What we praise

But rarely the chapter
that comes after.

What we avoid
THE IN-BETWEEN

The film asks:

Who am I…

when the world no longer needs me?

What remains…

when identity was built on achievement?

Is there purpose…

beyond productivity?

What wisdom emerges in the quiet of late life?

A universally human, deeply emotional story—

told through stillness, intimacy, and the lives that begin after the applause.

THE IN-BETWEEN

Color Palette

A restrained, human palette: warm paper tones and quiet neutrals, with a muted accent used sparingly—more atmosphere than branding.

Ink

#121212

Charcoal

#2A2A2A

Warm Paper

#F2EEE7

Soft Sand

#D8D0C6

Cool Fog

#DDE6E4

Muted Sage

#7B8E88

Usage: Ink/Charcoal for type. Warm Paper as the primary “page” tone. Fog/Sand for panels or dividers.

Accent: Muted Sage only for small details (rules, labels, subtle highlights)—never as a loud brand color.

Why now?

Aging is universal.

Loneliness has become a global epidemic affecting millions of older adults.

Retirement is deeply misunderstood.

The end of a career is often treated as relief, not rupture.

Identity collapses when roles disappear.

Once careers end, many elders become invisible—despite rich inner lives shaped by decades of experience.

This chapter remains unexplored.

No major documentary has centered the quiet psychological transition that follows a life of visibility.

The In-Between arrives at a moment when societies are aging faster than we are learning how to listen.

Characters

The film moves between two worlds—those who once lived in visibility, and those whose lives were never publicly seen, yet carry the same quiet depth.

High-Achievers / Public Figures

01

Retired CEOs & executives after public leadership ends

02

Former creatives photographers, designers, agency leaders

03

Public voices anchors, personalities, recognizable figures

04

Founders, athletes, musicians when identity outlives the role

Everyday Elders

01

A widower living alone learning to inhabit quiet

02

A retired teacher rediscovering identity beyond service

03

A grandmother navigating silence after decades of family noise

04

An elder without a support system when nobody is watching

This film restores dignity, visibility, and humanity to a stage of life the world rarely pauses to notice.

THE IN-BETWEEN

Themes

What remains when the role ends
01

Identity after relevance

02

Loneliness vs. peace

03

Purpose beyond achievement

04

Mortality and acceptance

05

Dignity in invisibility

06

Letting go of the former self

07

Wisdom elders want to pass on

Quiet observational still
These themes resonate globally — across culture, status, and background.

Structure

Three Acts
Act I
Who I Was

Past identities, pressure, and achievement — the version of self built for the world.

Act II
The In-Between

The emotional landscape of retirement: routines, reflection, loneliness, rediscovery.

Act III
What Remains

Legacy, mortality, meaning, acceptance — and the wisdom they hope to leave behind.

Visual Language

Cinematic Approach

The camera favors restraint—framing solitude with elegance, and allowing emotion to arrive without emphasis.

Aspect
2.39:1

Framing

Cinemascope
  • 01

    Shot and finished in 2.39:1 to hold space and stillness.

  • 02

    Portraits and environments share equal weight—context is emotional.

  • 03

    The frame lingers long enough for the viewer to feel time passing.

Camera Movement

Motivated Only
  • 01

    Handheld only during vérité moments—human, present, imperfect.

  • 02

    Minimal movement: small pushes, subtle reframes, breath-level motion.

  • 03

    No flashy gimbal/Steadicam moves unless emotionally justified.

Lens & Exposure

Soft Contrast
  • 01

    Prime lenses for shallow depth and intimacy; long lenses for quiet isolation.

  • 02

    Expose for highlights; allow natural shadows to fall—darkness used intentionally.

  • 03

    Protect the subtle textures of aging faces—no harshness, no gloss.

Interview Style

Carrying forward principles from high-end cinematic documentaries — interviews feel human, intimate, and quietly cinematic. Never staged. Never glossy.
Approach

Two-Camera Setup

  • A

    Close: off-center, tight portrait

  • B

    Wide: low-angle, environmental wide

Lighting Principle

  • 01

    Key on the shadow side of the face

  • 02

    No fill light — use negative fill instead

  • 03

    No backlight unless naturally motivated

  • 04

    Contrast-driven, organic, and human

Composition Beliefs

  • 01

    Subjects framed asymmetrically

  • 02

    Slightly underexposed for intimacy

  • 03

    Shot in spaces meaningful to the subject

Interview still
Authenticity first: cinematic presence without performance.
Storytelling Method

Observational / Verité Approach

Scenes are built around stillness, observation, and real life — with visual restraint.

Key Principles

  • 01

    Handheld for emotional proximity

  • 02

    Real-life pace — slow, contemplative, not rushed

  • 03

    Shot into natural windows; quiet soundscapes

  • 04

    Let characters exist without forcing action

Verité Moments

  • 01

    Morning routines

  • 02

    Cooking alone

  • 03

    Walking through familiar spaces

  • 04

    Sorting through life’s artifacts

  • 05

    Visiting meaningful places

  • 06

    Moments of silence and reflection

Locations & World-Building

  • 01

    Slow wides held long enough to let viewers feel the environment

  • 02

    A kitchen lit only by morning light

  • 03

    A hallway with family photos

  • 04

    A porch during golden hour

  • 05

    A quiet office where decisions were once made

  • 06

    A bedroom where time feels suspended

Market & Partners

Distribution / Funding

Market & Audience

Ideal Buyers
  • Netflix
  • Apple TV+
  • Amazon
  • HBO / Max
  • PBS / Independent Lens
  • ARTE
  • BBC
Audience
  • Ages: 30–80
  • Retirees + pre-retirees
  • Creatives + professionals
  • Families + caregivers
  • Human-interest doc lovers

Funding & Partners

  • Sundance Documentary Fund
  • IDA Enterprise Fund
  • Catapult Film Fund
  • ITVS (PBS)
  • Doc Society
  • AARP
  • Ford Foundation
  • South Arts / NEA
  • MacArthur Foundation
  • Impact Partners
  • Aging nonprofits
  • Mental health + loneliness orgs
  • Faith-based foundations
  • Universities + elder research
  • Healthcare networks

Why It Sells

Aging + identity = huge global relevance
Ensemble storytelling strengthens festival potential
Cinematic tone + emotional theme = premium doc demand
Education + nonprofit distribution value is broad
The In-Between
Director’s Statement

Why I’m making this film

For a decade, I’ve been drawn to documenting people often overlooked—elders, creatives, workers, individuals whose inner lives are rich but invisible.

Watching successful people fade from relevance overnight made me realize that the emotional transition into retirement is rarely discussed, despite affecting everyone eventually.

This film is personal. It reflects my own questions about identity, purpose, aging, and what remains when the noise of life goes quiet.

My goal is to create a cinematic, emotional, deeply human film that honors this fragile, universal chapter: The In-Between.

Brandon Clifton
The In-Between
Closing
The In-Between
Budget range
Scalable depending on character count, travel, and production partnerships.
$60,000 — $250,000

Covers

  • Development + pre-production
  • Travel + shoot days
  • Sound mixer + 2nd camera days
  • Editing, color, audio mix
  • Music licensing
  • Hard drives + archiving
  • E&O insurance
  • Contingency

The ask

  • Development financing
  • Production support
  • Impact partners
  • Executive Producers
  • Introductions to retired public figures
Deliverable
A 75–90 minute cinematic documentary ready for festival premiere and global distribution.
Contact
Brandon Clifton
Director & Cinematographer
brandon@brandoncliftonphoto.com
brandoncliftonphoto.com
Seeking
financing • partners • introductions

Thank you for taking the time to view this pitch deck. To view my photography portfolio, click here.